Richard Strauss is a composer much loved among audiences
來源：香港大書城megBookStore,http://www.megbook.com.hk throughout the world, both in the opera house and the concert hall.
Despite this popularity, Strauss was for many years ignored by
scholars, who considered his commercial success and his continued
reliance on the tonal system to be liabilities. However, the past
two decades have seen a resurgence of scholarly interest in the
composer. This Companion surveys the results, focusing on the
principal genres, the social and historical context, and topics
perennially controversial over the last century. Chapters cover
Strauss''s immense operatic output, the electrifying modernism of
his tone poems, and his ever-popular Lieder. Controversial topics
are explored, including Strauss''s relationship to the Third Reich
and the sexual dimension of his works. Reintroducing the composer
and his music in light of recent research, the volume shows
Strauss''s artistic personality to be richer and much more
complicated than has been previously acknowledged.
目錄：
Chronology of Strauss''s life and career Charles Youmans
Part I. Background: 1. The musical world of Strauss''s youth James
Deaville
2. Strauss''s compositional process Walter Werbeck
3. Maturity and indecision in the early works Wayne Heisler
Part II. Works: 4. The first cycle of tone poems David Larkin
5. The second cycle of tone poems James Hepokoski
6. Strauss''s road to operatic success: Guntram, Feuersnot, and
Salome Morten Kristiansen
7. The Strauss-Hofmannsthal operas Bryan Gilliam
8. Opera after Hofmannsthal Philip Graydon
9. ''Actually, I like my songs best'': Strauss''s Lieder Susan
Youens
10. Last works Jürgen May
Part III. Perspectives: 11. Strauss''s place in the twentieth
century Alex Ross
12. Musical quotation and allusion in the works of Richard Strauss
Günter Brosche
13. Strauss in the Third Reich Michael Walter
14. Strauss and the business of music Scott Warfield
15. Kapellmeister Strauss Raymond Holden
16. Strauss and the sexual body: the erotics of humor, philosophy,
and ego-assertion Bryan Gilliam
17. Strauss and the nature of music Charles Youmans
Bibliography
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