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| 內容簡介: |
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《小王子》是法国乃至世界著名的童话小说,主人公是来自外星球的小王子。书中以一位飞行员作为故事叙述者,讲述了小王子从自己星球出发前往地球的过程中,所经历的各种历险。作者以小王子的孩子式的眼光,透视出成人的空虚、盲目和愚妄,用浅显天真的语言写出了人类的孤独寂寞、没有根基随风流浪的命运,体现了作者对人类及人类文明深邃的思索。
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| 目錄:
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Chapter 1 第1章 1
Chapter 2 第2章 7
Chapter 3 第3章 15
Chapter 4 第4章 21
Chapter 5 第5章 30
Chapter 6 第6章 39
Chapter 7 第7章 42
Chapter 8 第8章 49
Chapter 9 第9章 59
Chapter 10 第10章 63
Chapter 11 第11章 74
Chapter 12 第12章 78
Chapter 13 第13章 81
Chapter 14 第14章 90
Chapter 15 第15章 97
Chapter 16 第16章 106
Chapter 17 第17章 109
Chapter 18 第18章 115
Chapter 19 第19章 117
Chapter 20 第20章 120
Chapter 21 第21章 124
Chapter 22 第22章 138
Chapter 23 第23章 142
Chapter 24 第24章 145
Chapter 25 第25章 152
Chapter 26 第26章 162
Chapter 27 第27章 177
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| 內容試閱:
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Once when I was six years old I saw a magnificent picture in a book, called True Stories from Nature, about the primeval forest. It was a picture of a boa constrictor in the act of swallowing an animal. Here is a copy of the drawing.
In the book it said: Boa constrictors swallow their prey whole, without chewing it. After that they are not able to move, and they sleep through the six months that they need for digestion.
I pondered deeply, then, over the adventures of the jungle. And after some work with a colored pencil I succeeded in making my first drawing. My Drawing Number One. It looked like this:
I showed my masterpiece to the grown-ups, and asked them whether the drawing frightened them.
But they answered: Frighten? Why should any one be frightened by a hat?
My drawing was not a picture of a hat. It was a picture of a boa constrictor digesting an elephant. But since the grown-ups were not able to understand it, I made another drawing: I drew the inside of the boa constrictor, so that the grown-ups could see it clearly. They always need to have things explained. My Drawing Number Two looked like this:
The grown-ups response, this time, was to advise me to lay aside my drawings of boa constrictors, whether from the inside or the outside, and devote myself instead to geography, history, arithmetic and grammar. That is why, at the age of six, I gave up what might have been a magnificent career as a painter. I had been disheartened by the failure of my Drawing Number One and my Drawing Number Two. Grown-ups never understand anything by themselves, and it is tiresome for children to be always and forever explaining things to them.
So then I chose another profession, and learned to pilot airplanes. I have flown a little over all parts of the world; and it is true that geography has been very useful to me. At a glance I can distinguish China from Arizona. If one gets lost in the night, such knowledge is valuable.
In the course of this life I have had a great many encounters with a great many people who have been concerned with matters of consequence. I have lived a great deal among grown-ups. I have seen them intimately, close at hand. And that hasnt much improved my opinion of them.
Whenever I met one of them who seemed to me at all clear-sighted, I tried the experiment of showing him my Drawing Number One, which I have always kept. I would try to find out, so, if this was a person of true understanding. But, whoever it was, he, or she, would always say:That is a hat.
Then I would never talk to that person about boa constrictors, or primeval forests, or stars. I would bring myself down to his level. I would talk to him about bridge, and golf, and politics, and neckties. And the grown-up would be greatly pleased to have met such a sensible man.
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